However, the central feature of Julius Caesar is the controversial nature of the event: In this connection, one can discover a small number of critical works that are dedicated to the man who gave his name to this play. Nevertheless, a Julius Caesar tragic hero essay is rather a rare topic than a critical commonplace.
Thus, a person who wishes to look at this play from a new original angle will be inevitably faced with a considerable amount of contradictions in literary sources. The obvious setting notwithstanding, academics diverge widely on what, if anything unites these plays, or even on what Rome is implied to present.
A brief list of the most admitted concepts is as follows:. When Shakespeare brought Julius Caesar to the stage, he was contributing with historians and engaging in a dynamic dispute with all those observers who were endowed with a copious or fragmentary knowledge of the tragic events of March 44 BC and the acts of Julius Caesar.
The sources, then, are not merely the stuff, the materials, the dramaturge draws on to compose the play, but dynamic ingredients that the audience is required to bear in mind.
Here is a play about uncertainty. No correct interpretation of any set of events seems possible - everything depends on who is narrating the story. Similarly, when Portia wishes to claim power for herself, she does so by invoking her male ancestors, inverting the male tendency to blame their undesirable qualities on their female ancestors.
After Brutus refuses to acknowledge that her status as wife earns her the right to share his secrets, she takes a contrary tack and tries to appeal to him as a kind of fellow male.
Then, to further prove her emotional and physical strength, she stabs herself in the thigh. Throughout the play, men swear that they are not afraid to face death or injury; Portia proves her manliness by making good on those boasts.
However, the play does present women as sharing a powerful, characteristically feminine trait: They each exhibit an instinctive type of foresight. The men of Julius Caesar, though powerful, are often caught unawares by their fate. The play seems to suggest that the same resoluteness the Romans revere as a supreme masculine virtue can become a liability when it turns into inflexibility and imperceptiveness.
Calphurnia and Portia both anticipate the dangers ahead. Like animals that sense the arrival of an earthquake, the women seem tuned to a different frequency. Decius scoffs at her fear, but Calphurnia knows that her dream portends ill luck for Caesar. Later, when she senses the sea change about to take place, she kills herself preemptively.
Even though the language in Julius Caesar is considered to be pretty straightforward, reading Caesar (or any one of Shakespeare's plays) can feel like reading a really long poem. That's because Shakespearean drama is written in a combination of verse (poetry) and prose (the way we talk normally).
Writing in the first quarter of the second century CE, the Roman author Suetonius still knew many of Caesar's publications, such as a book On analogy and a collection of speeches In reply to Cato. A poem The voyage described Caesar's journey from Rome to Hispania, when he was governor of Andalusia.
Julius Caesar is a play about men: their relationships, their culture, and their actions. In the male-dominated world of ancient Rome, characters have a distinct understanding of what it . “What do the other characters in Julius Caesar think about Caesar?” The way the words in a piece of writing are put together to form lines, phrases, or clauses; the basic structure of a piece of writing. theme. A fundamental and universal idea explored in a literary work.
This lesson explores the writing of William Shakespeare's Julius Caesar. After reading this lesson, you will understand the historical context and background information of the play, as well as a. Mar 05, · Writing a Julius Caesar persuasive essay is an extremely sophisticated task, inasmuch as it is always particularly difficult to write a decent paper about a work of genius and there exist no doubts that both of them – Shakespeare and his literary hero – are geniuses/5(62).